01 new ep · out now
[EP Title]
Four tracks of Lagos-built rhythm and London-built patience. Recorded across [number] sessions between [Month] and [Month], mixed for a room with the windows open.
03 the record
[EP Title]
Four tracks, no interludes, no filler. Written to be played front to back and then again from the top — the kind of record that sounds like a night that went well.
- 01 [Track one title] Opens on talking drum and a bassline that never quite resolves. [0:00]
- 02 [Track two title] The one people film at shows. Log drums, a hook you already know. [0:00]
- 03 [Track three title] Slower, sparser, mostly voice and guitar until the last minute. [0:00]
- 04 [Track four title] Closes the record with the whole room singing the last chorus. [0:00]
Written and produced by [Artist Name]. Mixed by [Engineer name]. Mastered at [Studio name].
07 listen
Stream the EP
Out everywhere now. Pick your platform — the whole record is up, no region locks, no exclusives.
- Spotify Full EP, plus the [single name] single
- Apple Music Lossless and spatial audio mixes
- YouTube Visualisers for every track
- Bandcamp Buy the record, name your price
Add the links in the code and they'll go live — right now they point nowhere.
08 live
Upcoming shows
A short run behind the EP. Doors usually an hour before, and the set runs about seventy minutes — the last twenty are the loud ones.
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[DD][Mon]Tickets
[Venue name]
[City, Country]
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[DD][Mon]Tickets
[Venue name]
[City, Country]
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[DD][Mon]Tickets
[Venue name]
[City, Country]
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[DD][Mon]Tickets
[Venue name]
[City, Country]
Booking and press: [Booking email]
09 about
[Artist Name]
[Artist Name] writes afrobeats that sit closer to the dancefloor than the radio — built on live percussion, unhurried vocals and a low end you feel before you hear it.
The project started as a set of voice notes recorded between [City] and [City], then grew into [number] sessions with a small band rather than a laptop. The result is [EP Title]: four tracks that keep the room in the recording — breaths, count-ins, the sound of a take going right on the first pass.
Live, the songs are rebuilt around the players. [Percussionist name] on talking drum, [Bassist name] holding the bottom, and [Artist Name] out front, usually somewhere in the crowd by the second chorus.
- Based in
- [City, Country]
- Genre
- Afrobeats · alté · live percussion
- Latest release
- [EP Title] — [Year]
- Booking
- [Booking email]
10 questions
FAQ
The things people ask most often, answered properly. If yours isn't here, the form at the bottom of the page reaches the same inbox.
Where can I listen to [EP Title]?
Everywhere the record is up — Spotify, Apple Music, YouTube and Bandcamp. All four links are in the listen section above. Nothing is region-locked and there are no platform exclusives, so whichever one you already pay for is fine. Bandcamp is the one to use if you'd rather own the files than rent them.
Is there a physical release?
[Vinyl / CD details — pressing size, colour, ship date, where to order]. If you want to be told the moment it's available, send a message through the form below and ask to be put on the list.
How do I book a show or a feature?
Booking and features both go through [Booking email]. Useful things to include: the date, the city, the venue or room capacity, whether it's a headline set or a support slot, and your budget range. Sets run about seventy minutes with a full band, or forty as a stripped-back duo — say which one you're after.
Can I use a track in a video, podcast or film?
Yes, and it's usually quick. Send the project, where it'll be published, and how long the track appears for, to [Booking email] and it'll come back with terms. Student films, community radio and non-commercial projects are handled separately from commercial sync — mention which one you are so it goes to the right place.
Do you take remixes or demos from other artists?
Always worth hearing. Send a private link — not an attachment — with a short note about who you are and what you're after, and it'll get listened to. Remix stems for [Track two title] are available on request; ask for those specifically if that's what you need.
11 get in touch
Say something
For bookings, features, press or a remix you want to send over — this goes straight to the inbox.